Posts Tagged ‘greyedout’

I grabbed a few better shots of Karchev today, and also did some illustration.  Skottie Young recently started blogging again, doing pen and ink sketches, and I was really impressed by the sketches he posted on his website.  Check out skottieyoung.com for his work.

The illustration I did is called “Ambush”.  I’ve been playing Dungeons and Dragons for a long time, and it’s loosely based on a party of adventurers getting ambushed in the middle of the woods by a few beasties.  It’s available in my Etsy for $60 + $5 shipping.  Alternatively, you can email me at greylikestorms(at)gmail.com if you’re interested.

 

 

Karchev:

 

I think he looks rather handsome, actually.  I tried to go for some battle damage as well, and the metal parts are about as rusted and greasy as I could make them.  I’m really happy with the results.  The armor was done in Murderous Magenta, and then done in several coats of Murderous Magenta mixed with Carnal Pink, until I was happy with the results.  The accent color is Thornwood Green.  Battle damage was done in Bloodstone, with streaks of the same to emulate rust.

The metallics are partially done in Boltgun Metal, with the bronzes in various mixes of Rhulic Gold and Brazen Brass.  They were coated in Devlan Mud, then very thinned Bloodstone.

 

 

 

 

It’s gloomy outside, temperatures falling along with the rain from an iron-grey sky.  The low tonight is 53 degrees, the high tomorrow 55.  Maybe this will finally mean decent fall temperatures for the rest of the season and into winter.  It’s the perfect weather for curling up on a couch with a bit of hot coffee or tea, or maybe a bowl full of delicious turkey chili verde.

I’ve finished a unit of Greylord Ternion for my planned Zerkova theme force, and have been working on painting Zerkova herself.  I wanted to go for a more muted color scheme, based on Cryx Bane Highlight, a muted greenish-grey.  That goes along with Thornwood Green, highlights of Hammerfall Khaki mixed with Cryx BH, and washes of Devlan Mud.  I think it came out fairly well.

Dragons are magic.  There’s no other way to put it.  I’ve been fascinated by the big scaly things for as long as I could remember.  I can’t recall when I first found out about them, but it was at a really young age, because I’ve been enjoying stories about dragons since I was a tiny child.  Whether your dragons are winged with four legs, or winged with only two, or even with no legs or wings at all… they’re incredible.

One of the first books I remember reading about dragons was called The Book of Dragons, by E. Nesbit.  It’s a tiny, slim little volume.  Collected inside are stories of dragons from myth and legend, with enough fire to spark any boy’s imagination.  Then, in fourth grade, at a school book fair, I picked up Bruce Coville’s Jeremy Thatcher, Dragon Hatcher.  The book is about a young kid who, running from bullies one day, gets lost in a fog and finds a magic shop.  There he buys a dragon’s egg, and hatches it, and gets to watch the young dragon(whom he names Tiamat) grow up.  It’s completely magical and wonderful.  In high school, I read the Dragonlance Chronicles by Margaret Weiss and Tracy Hickman.  That led me to Dungeons and Dragons, and in my time around the gaming table I’ve killed a dragon or two.

The other day, inspired by my long love of the dragon, I sat down to do some inking.  I sketched a few ideas first, and when I was satisfied, I broke out the steel nibs and black ink.  I didn’t want to do this project in Micron pens.  I wanted the old-fashioned method.  A while later, I had a dragon skull sitting on paper in front of me.  I’m not quite sure it’s done yet, but it was fun to do, and I can’t wait to try further projects with the steel nibs and ink.

Here are a few pictures:

I’m not sure I’ll be able to attend Dragon*Con this year – I’ve been wanting to go for a really long time, but have never been able to make it to Atlanta to attend.  This year, when I’m actually living in Atlanta, I can’t afford to go.  Oh, life.

I’m glad that the convention happens here, because from everything I hear it is one of the biggest, best, most incredible conventions for gaming, fantasy, sci-fi, etc that you could imagine.  Thousands of people flock to Atlanta every year just for a chance to attend Dragon*con, and who can blame them?  I have heard from some friends of my wife’s that they attend every year and just walk around in costume to see everything and everyone.  I’m not sure they even buy tickets or passes.  If that’s the case, I may try something similar, and attend without attending anything.

I feel that a lot of the products I make for my Etsy store would work really well for convention attendees – particularly the dice bags.  I make each one with a belt loop, so that you can carry them around without having to hold them or store them in other bags/pouches.  The double drawstring lends itself to a tight closure, which I feel is important – it not only keeps your dice safe, but also your other small change and loose items.  I have a variety of colors, but would be very open to custom choices – just talk to me!  If anyone is interested, email me at greylikestorms(at)gmail.com or convo me on Etsy to discuss other fabrics.  It’s not too late to get your stuff in time for Dragon*con, and I’m always happy to use a faster service than USPS.

I’ve also got a costume shirt listed that I feel is timeless enough to work for a variety of costumes, ranging from the late Renaissance to the early 20th century.  Steampunk, anyone?

For the curious, my Etsy store can be found at:  http://www.etsy.com/shop/greyedout

I have mentioned both Don Kenn and Edward Gorey on this blog before.  In today’s post, I thought I would share a few images from both artists that show the details that go into their art.  In my attempts to illustrate images inspired by these two artists, I’ve found that the intricately detailed line art is actually harder than it appears at first.  Your lines must have a consistency that fits with each other line on the page, while at the same time creating dimension, shadow, distance.  In short, the entire image is dependent on lines, instead of more conventional means of composition.

Gorey illustrated a number of children’s books that he authored himself; most are incredibly short and have been gathered into several collections, the best-known of which are probably Amphigorey and Amphigorey 2.  He passed away in 2000, and was, among other things, known for his fondness of cats and the New York Ballet; at one point in his life he attended every single performance of the ballet for several years.  He often wore heavy rings and fur coats, and was a bit eccentric.  The following images will hopefully showcase his art well.

 

Don Kenn is a Scandinavian artist who does most of his work on Post-it notes.  The illustrations largely represent hidden or not-so-hidden terrors near oblivious people.

 

I’m typing this on my Lion-enabled computer.  It’s taking some getting used to, scrolling “backwards” – scrolling up moves the screen down, now.  It’s like the iPhone and the iPad.  We just got back from Lawrenceville, and are both a bit tired and ready for bed.

Today was spent doing a number of travely bits.  We attended the farmer’s market for the second week in a row, and got more delicious farm-fresh vegetables.  Some honey, which I’m very much looking forward to using.  A few other items.  Then we traveled to the farm where we got our milk from, and saw happy cows in action, doing their cow-thing.  The farm is far out of our way, but I think it’s important to see where your food comes from.  It’s making me look at everything in a whole new light.  Why can’t 90% of our food be local – by which I mean, from within a day’s traveling distance?  I feel like everyone would be better off that way.  It seems that post-World War 2 industrialization had a lot to do with how our food and meats are now grown and processed.  I’m a little too tired to post specifics, but there are several books on real food that explain why agriculture and meat-processing became so industrial, and we lost a little bit of what amazing food we had before it happened.

In other news, I’m working on some Edward Gorey-inspired art.  Gorey was an incredible children’s book author and illustrator who passed away in 2000, and did very gruesome, ghastly, darkly humorous Victorian-inspired children’s stories.  The Unstrung Harp, The Curious Sofa, The Gashlycrumb Tinies – all these works and more were both written and illustrated by Mr. Gorey.  His art is unique and almost instantly recognizable, thanks to his style.  An example of the Gorey-inspired work is below.  If you’re interested, it will be in my Etsy shop upon completion, and I would love to do commissions in a similar style.  Leave a comment below with your email address or mail me at greylikestorms(at)gmail.com for more information.

I haven’t had many chances to sketch the past few days, which is bad.  BAD.  And I know it.  I won’t improve if I don’t sketch.  Part of the problem is that the internet is so accessible and there and omnipresent and I just can’t drag myself away from it.  It’s something that I really need to work on.  Badly.  Does anyone have any suggestions?  Facebook, email, various forums… they all take time away from me that I could be sketching, and I know that, I really do.  But getting away from it all is difficult for me.  Someone suggested I try a voluntary exile – a day with no electronics at all.  I may give it a shot.

In the meantime, I tried sketching a tree while watching True Blood tonight.  I like the tree.  True Blood I’m not so sure about yet.  We’re two episodes in, and both Kathryn and I are very “meh” about it.

 

This should be subtitled “An Introspective”.

The past few months I’ve been listening to many episodes of the Drawn Today and W.I.P. podcasts, both of which are focused on fantasy and sci-fi illustration and narrated by groups of illustrators themselves.  I’ve always been partial to podcasts while I paint or sketch, rather than music.  It’s one of the few times that I can listen to something and absorb the material without being distracted.

Recently I’ve been considering making an attempt to become an illustrator, and by recently I mean over the last few weeks is when I started considering it.  Giving it thought.  Analyzing, very loosely, some of the pros and cons.  I graduated with a degree in technical theatre with a costume design emphasis, and while I didn’t get a fabulous grounding in the arts, I feel as if I’m at least a small step ahead of the curve thanks to costume and theatre design courses I’ve taken, and sketches I’ve had to do for projects.  I’m not nearly as well-versed in the art techniques as someone who solely focused on getting a fine arts degree, but I’m willing to learn.  I also believe that I can work on costume design and improve my costume illustration skills at the same time as non-costume illustration.  After all, says my brain, costume design feeds into fantasy illustration, and my progress toward freelance illustration work certainly would benefit from costume design opportunities.

I talked with Kathryn about the idea the other day, and she agrees that there are many ways that the two careers can go hand in hand.  I’m glad I have her support in this.  It’s not going to an easy road, but I believe that hard work will pay off, and that art and illustration is a skill that can be learned.  From reading the Drawn Today, W.I.P, and Muddy Colors blogs, I’m noticing a trend – that inspiration is everywhere, and that reference is OK.  I do need to work on drawing more, every day regardless of whether I’m feeling inspired or blah or under the weather.  I won’t improve if I don’t. And the number of subjects that I need to work on improving is almost mindboggling.  But at least I’m aware of that.

I’m going to be trying to update this blog more regularly, and even if I’m not able to post about cool places to be in Atlanta at least I’ll be trying to do some art posts every week.  I don’t own a scanner, so for now I’m taking pictures of my sketches with my wife’s DSLR.  You’ll be able to get an idea of where I’m going and how I’m progressing, and what techniques I’m working on.

A few examples of recent sketch work.  I’ve got a long way to go… but it should be a fun trip.

And a small painting of the skeletal hand that I did today:

Last year I decided to start an Etsy shop to sell some of the smaller items that I like crafting.  It was a fairly easy process to set up, and listing items is simple and clear.  I listed several items, and then waited.  And waited.  And waited.  It wasn’t until January, four months after starting my shop, that I had my first sale, and it was a great experience waking up in the morning to the “you made a sale!” email.  I’ve had several sales since then, but by the end of February things had dried up.  I listed more items, and renewed my current listings to bring them to the top of the queue, with no luck.  Even now I’m still trying to make more sales.  It’s a bit disheartening, to say the least.  But I’m keeping at it, because it’s important to me and because I like the feeling of giving customers what they want to the best of my ability.

Recently, though, I’ve come across several instances of resellers on Etsy.  For those unfamiliar with the website or the term, Etsy is a place for selling handmade and vintage items.  A “reseller” is someone who takes mass-produced items bought very cheaply in bulk and resells them listed in his/her shop as their own creations.  It’s against Etsy rules, although from what I have seen and heard the Etsy administrators are willing to let resellers slide… because they bring in a lot of money.

It was one such instance that prompted me to look at other places online for selling items, and I found a place called Zibbet.  Much like Etsy, it’s a website where sellers can list homemade, crafted items and sell them to internet customers.  Its setup is slightly different from Etsy’s, in that it’s free to list your items and you take all profit, whereas Etsy takes a small fee from your sold items.  On Zibbet, you can sign up for various types of seller accounts, from the free basic account all the way up to the Premium account.  I’ve since created a free Zibbet shop in hopes of increasing sales a bit more.

The Zibbet community is also very friendly and open compared to Etsy’s.  Etsy recently changed their forums, and created what they call “Teams”, which are inclusive groups focused on specific crafting items, themes, and so on.  It used to be simple to go on Etsy’s forums and ask for help regarding crafting techniques, materials, how-to’s, and so on.  The creation of Teams makes that much more difficult, because now you have to search for a team dealing with your situation, and then apply to join that particular team before you can even ask for help.  It’s part of what frustrates me about the recent Etsy changes.  I’ve found the Zibbet forums to be helpful and welcoming so far.

One site that Kathryn likes to check for updates is Regretsy – a site that often pokes fun at ridiculous Etsy listing.  They have their own forums, and a team on Etsy itself, and I’ve also joined efforts there.  Regretsy is what ties everyone together, and they are also a tight-knit community.  I’ve already gotten a bunch of helpful advice, and I plan to take steps to improve the quality of several of my item pictures and listings.

What I would really like to focus my efforts on are period costumes, ranging from the medieval to the Renaissance to the Victorian, and including subcultures like steampunk.  However, at the moment I craft mainly smaller items like dice bags, purses, smaller messenger bags, and decorative houses.  I have a Youtube channel dedicated to showcase videos of my products, and a Facebook page as well – look up Greyed Out Productions for more information.  To find my shops on Etsy and Zibbet, simply search for “Greyedout”.  That’s the name of the shop.